Tessellation Painting: Green and Yellow
Happy Valley/Lake Pleasant
Asian American Monument
Aluminum Linescape I
Aluminum Linescape with Blue Strips
Karatu Analysis I
Linescape with Blue Aperture
Linescape with Recession II
Linescape with Graphite Planes
Linescape with Two Passes
Linescape with Four Interruptions
Linescape with Two Interruptions
Work exploring the relationships between infrastructure, movement, and natural features (Rio Grande, arroyos...) in Albuquerque, NM.
Public art proposal designed to honor the landmark civil rights ruling from Territory v Yee Shun (1882).
Mixed media painting on vellum, abstracting geographic features in the bay area.
Mixed media drawing on paper, referencing an above ground tomb in New Orleans, LA.
Mixed media drawing on paper with digital laser etching and collage.
Site responsive public art proposal for an architectural pavilion in Peoria, AZ.
Public art series with four sculptural iterations. Stemming from Navajo motifs and proximity to Tsoodzil, a sacred mountain defining the Eastern boundary of the Navajo Nation.
Mixed media painting with serigraphy and lithography, stemming from tessellated geometric forms.
Site responsive exhibition proposal for San Jose Institute of Contemporary Arts.
Digitally fabricated mural proposal, stemming from tessellated geometric forms.
Site responsive sculpture for an exhibition project in San Jose, California.
Drawing on paper with linescape and blue overlaid screen.
Digitally fabricated laser etching interpreting handmade drawing gestures.
Linescape with architectural rendering inspired mark making.
Dignitary Center Model
Handmade architectural light study model. Geometry that defines the aesthetic, is folded up from the site.
Design module with defined internal geometry, intended to facilitate sculptural carving and process.
© 2018 Matthew Bollinger